The Long Goodbye (1973)

Robert Altman, in his inimitable style, updates this Raymond Chandler mystery yarn, and Chandler’s Philip Marlowe, to 1970s L.A., a sour maze of aging hippies, blithe crime, loneliness, and a certain lack of moral rectitude—something Elliott Gould’s singularly schlubby private eye decides to correct on his own by story’s end. The case itself involves a friend (baseball star Jim Bouton) who’s accused of killing his wife, but various SoCal lunatics are roped in as well, and the film becomes a tapestry of genre jokes, cultural satire, and Altmanesque texture.

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