Network (1976)

Featuring quite possibly the most thoughtfully written script in Hollywood history, Paddy Chayefsky’s torrential satire on the television industry wasn’t so far-fetched at the time, and it’s turned out to be so prophetic that today’s jaded high schooler might think it tame. Network is to be savored for many reasons, among them the autumnal crisis endured by aging network exec Max Schumacher (William Holden), who faces the business end of his career just as Faye Dunaway’s irresistibly amoral company hotshot lures him into an affair. He knows it’s all a soap opera cliche, and she hardly knows soap from real life, but in the meantime there’s real heartache here, with Holden and his wife (Oscar winner Beatrice Straight) bravely facing—in painful, human terms— the desperate confusions of fading love and angry devotion. It’s a notably sympathetic portrait because it’s so viciously honest, and 203 | dl fe Cr s s IV anyone in his or her fifties can find understanding company in Holden’s melancholy, hound-dog visage.

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