Paper Moon (1973)

Peter Bogdanovich’s grim comedy about the Depression, in which Tatum O’Neal’s raw-mouthed orphan latches onto Ryan O’Neal’s fumbling, Bible-hawking con man (more out of hope for love, home, and a sense of belonging than for loot), has a formidable period thrust. The glowering black-and-white cinematography, the desolate midwestern towns, the exhausted faces of the poor, the empty Kansas skyline—every frame of Paper Moon makes you feel like you landed in 1936 without a nickel in your pocket. It’s largely forgotten now, but it justly received acclaim back in 1973; the sorely missed Madeline Kahn practically steals the movie in a mere twenty minutes, but she lost the Best Supporting Actress Oscar to Tatum, who remains the youngest winner ever of an Academy Award.


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