The New World (2005)

Terrence Malick’s bleeding-heart romantic vision of the Pocahontas–John Smith saga, The New World is less interested in historical revisionism per se (it does Disney a step better, though) than it is in projecting a rhapsodic feeling for the unspoiled wilderness, frontier intoxication (Colin Farrell, as Smith, is as joyful and quivering as a child at Christmas) and the sun-burnished, beauteous glow of costar Q’Orianka Kilcher, whose Pocahontas should define the character in the popular culture for eons to come. (We’ll forget, as everyone has, that the real Pocahontas was about eleven years old and naked, clothes being permitted among the Powhatan only after puberty.)

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