The Black Stallion (1979)

Probably the greatest horse-love film that will ever be made, Carroll Ballard’s entrancing take on the Walter Farley children’s book is rich in atmosphere, light on unnecessary chitchat (the grand middle passage, set on a desert island populated only by a boy and a wild horse, is essentially dialogue free), and visually so beautiful it can stop your brain from working. From the shipboard opening (with an enigmatic poker game and a traumatic storm) to the stranded courting of horse by kid (Kelly Reno is fabulous) and beyond, The Black Stallion is a deeply mysterious film—clear, but hinting at deeper ravishments. As a result, it may also be one of the best evocations of the ecstatic currents flowing through childhood.

The Black Stallion (film)
The Black Stallion (film) (Photo credit: Wikipedia)
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