Stanley Kubrick’s bare-knuckle screed about war and military injustice, set during World War I and amid the French; Kirk Douglas plays a colonel ordered to shove his men into a hopeless slaughter; when they eventually refuse, he’s compelled to court-martial a handful of random infantrymen for cowardice. Paths of Glory is muscular storytelling and unremitting moral outrage.
Jack Nicholson, a telepathic boy, an empty hotel, an axe. And oh, so much more—Stanley Kubrick’s landmark boo-fest rewards repeat viewings like a slot machine, from the awful sound of the kid’s Big Wheel on those silent corridor carpets to the beautiful naked ghost in the bathtub to Lloyd the saturnine bartender, fueling the animal for a night of mad havoc. The Shining is as much a hair-raising exploration of writer’s block, wintertime claustrophobia, and paternal impatience as it is a whacked-out horror flick—and it does run amuck in its own ozone. If little else, it’ll surely cure you of the notion that getting genuinely snowed in within a cavernous resort hotel might be fun or restorative, but being trapped at home with this dilly can electrify a cold, dull afternoon. If you can’t already quote at least half a dozen lines (“Give me the bat, Wendy . . .”), you need to catch up with the rest of America. All work and no play, indeed. With Shelley Duvall, Joe Turkell, and Scatman Crothers.